We don’t like turkey for Thanksgiving

Thanksgiving Duck

My sister and I who’re
the older wicked children
did a conspiracy too far

A tiny mischief.

We did a cute trick of
playin’ ’em with little kid’s
silly dumb curiosity: y’know
Mommy, do you like turkey really?
Does anyone like turkey?
Why can’t we have chicken
for Thankgiving, and
why not, and
Maaaaaaaaaaaaaaaa
ma
ma,
why not,
you hate turkey.

We ran up and back
wearing feather hats
screamin’ again many
chicken, chicken, chickens

Ma said not traditional, and
wait ’till your Dad comes home

Sister did the
Daddy dance questioning:
Dad, do you like turkey?

Dad got a brainstorm:
defrost a frozen duck
for 2 days painfully
like a turkey monster.

Got black cherries for the duck,
ducked the questions,
and she said when it was done
in French (?) (dunno) or something:

Donald dough-nay-moi mon canard

v’olive la — here ’tis

But ‘tastrophe when baby sister cried,
“You’ve cooked Donald Duck!”

We said Daffy Duck

Shakespeare At the Alamo is a Rose for Davy

Davy Crackpot et. al. Crocketts

Shakespeare is wrong again.
What’s in a name? Would not
a dead rose by any other name
be as sweet as Rose?

In time on stage,
the nose knows
who is a flower, and
who is of empathy:
yet left by brief candles
are flowers on a grave
of slander not gravitas

Blue Skies In Clean Cities

What Sewer Covers Are For

The isolated incidents continue.
The Mayor demurs to speak of evil
bailing out the salty tears and blood
away from his feet
with a donated news bucket
that’s seen routine gore before
and the revolving door continues
for felons in need of supervision
before entering the ultimate hell
where eventually they’ll
meet the Mayor again, but
in the meantime
of mean

of isolated incidents
and revolving doors
it’s irrelevant to the families and victims
who walk knee high in blood

without a bucket to bail the
street tears and blood into the sewer
when it doesn’t rain and the sun shines

but someone will do it for the official cameras
to keep the city clean for tourists and criminals

Sex In The Hallway

Sketch Interruptus

This is a poem about art, love, laughter, and a hallway that never asked for any of this. It’s one of those nights when inspiration gets out of hand—literally—and the universe interrupts at exactly the wrong (or right) moment. It’s about sensual humor, and about the pleasure of looking, touching, teasing—and the unexpected moment when everything stops. A soft, erotic vignette from the female gaze.

Content Warning

Erotic content, nude boyfriend modeling, hallway misadventures, and one extremely inconvenient phone call.

Painting a Nude by Elani Babe

They call me Elani, the best painter of Nudes
but I needed my boyfriend to volunteer
(he’s my fan and poet too)

Actually, no problem
’cause we own the building
the floor was empty,
the elevators off,
the hallway wall my canvas

Beyond bedtime,
like a late party lasting into sunrise,
I would need to instruct the model:
Stand still, and rise erect for my
double entendre, dear poet fan

I’m the artist so
I took off his clothes
told him we’d go
into the hallway

Told him:
Hey naked guy
help me with
the equipment

He got a tarpaulin
(or was it a plastic sheet?)
because the hallway carpet
deserves its innocence.

I grabbed my paints and dared him:
Race you to the hallway —
loser does the dishes.

I knocked over my chair, laughing,
ran toward the door.

He lumbered after me, wrestling a tarp,
dropped it with a thud. I kissed him.
We unrolled a river of plastic
expecting a sunrise in the hallway.

On the wall,
I sketched a deer; then a tree.
He turned, and his back,
a double-helix ribbon of hair in the middle,
pulled me out of “artist mode.”
My hands remembered him
before the pencils did.

He faced forward
and I recognized
his hairy immodesty,
then told him to get
a bucket of water, and
watched his little behind
vanish back into the apartment

I planned my sketch.

He came back with a cute
mocking affront with the bucket.
His thick ribbon of hair
from his chest to his navel
was like a pointer

He had an attitude
but I had a comb

I combed his chest hair downward and onward —
his hair was soft, some blond, some brown, some grey
and I lined him up against the wall

I called my painting
“Flying Mushroom Fountain Between Two Trees”

I petted his chest with my hands
and when I rested my hand over his heart
it was beating so hard that
I thought my hand would be bruised
and when I asked what he thought about
my painting idea of truth,
he said like off singing
uh-ah-um-uh-oh
and did self CPR with heavy breathing

I told him to wait right there
and keep the pose potion
while in awe I went to get
some lotion and a notion

I returned with an attitude, and
he said umble-ah-oh-oooh-ahhh
and sometimes Y
practicing his vowels

I told him to stand tall and erect
so I could do a sketch.
When he faltered
I gave him a hand
and sketched with my other hand

It was a hard process.

He asked if the sketch was finished.
But I said oh pish posh, hmmm:
the shaft is thicker and wider than a mushroom,
and the tip has complex curves actually —
the back is hyperboloid with
a curled up base like a ski slope, and
I mused out loud: (Are we
going skiing this year?)
and he said ah-oh-oooh-ahhh

hmm, only a portion is
rounded spheroid
and then two lobes and a string
or something but it’s enough
for a sketch. Right?
and he said ah-oh-oooh-ahhh

It took a little self-discipline
to not take off my sin clothes, but
yeah I can be analytical about fuss
with an inner cry and craving lust;
Yeah, if I must muster art courage — ha!

I had finished the sketch
when on edge he said,
“So now you’re going to paint. Right?”

“Um, yeah right”

But he had said fretting,
“You don’t want to get
paint on your dress.”

I mixed up some flesh colors
thinking to do a dry
brush  technique to
get color variations just right.

He was colorful y’know


“Y’know,” he said,” you don’t want to get paint on your dress.
and I’ve been standing here for a long time…a little help…”

I gave him a hand to see what color he could become

He said, “Hey-eeeee-iiiiiiiii-oh-you and Y”

I walked back a few steps
got my purse and bag
pursed my lips
dumped out tubes and a board
practiced my pucker, my pout,
squeezed a lot of white onto
the palette board, and
squeezed dabs of several reds,
two yellows, two blues and
then oops: I,the  depainted one,
almost dipped my dress

into the said paint

I did a pout and a curtsy
and stripped off my dress.

He changed colors again.
gosh what’s an artist to do?

I carried the palette board in one hand, and
my purse and a fist full of brushes in the other.
I put them off to his side
where I had started the sketch

He said, “You don’t want to get paint on your bra, do you?”

I sat down in front of him, and
looked up at his endowment,

did the last strip tease for breasts and
I said, “Hmm, these flesh colors
are all different. Let me see
the palms of your hands. Hmm, no,
your thing isn’t like anything like that color;
even the tip is darker than that, and
the edge is an entirely different color.”

I reached up and
his knees bent and shook a little.

I ran my hands up his inner thighs. I said,
“How do I paint all these colors?”

He said, “Mmmm, uh, mmmm.”

“I want it to glisten in the sun
for the painting y’know,” I said
while walking to the side to stretch, and
getting my purse, looking at the sketch,
and mixing a little paint for an edge

He said, “How would I glisten in the sun
if there’s no sun right near and
what color in sunlight would I be?”

I came back in front. “Glisten?” I echoed.
“Well, I can add a little shine.”
I opened a tube of K-Y jelly
squeezed some onto his shaft,
let the tube drop to the floor, and spreading
the lotion with finger tips, I said
 “I think this will help capture the light,
to give the painting the right touch.
Don’t you think so?”

 “Mmmmm, uh, mmmm.”

I sat down on the floor
reached up and his knees bent and shook.
I unrolled a condom on him,
grabbed his hands, and
like rowing a boat, pulled him
down on me as
I lay back onto the floor.

He kissed me, thrusting like the artist he is.

I said, “aaaa eeeei iiiiiiiiiii oh you”
didn’t ask Y.

Heard  a  phone ring
with dire consequences

Portrait interruptus

The Doll Gambles on Being Real

Calculations

In probability theory
there are some action figures.

Figures are a fickle thing—
they hide in algorithms,
like feathers in a charm loop,
like parameters of 1955.

Probability theory says:
there is a figure to be made.

And Marlon Pinocchio prayed
for an equation to take shape—
for a 3D printer to ooze and dab
at the token Math and Musical Lab.

He dreamed of making
a real doll,
like one from Guys and Dolls (1955)
where Marlon Brando can’t
get Jean Simmons out
on a date without a catch.

Gamblers are looking
for the right cards,
dealt from the A.I. deck
of speculation—
a mission statement in code.

The chips are on
the emergent table.
The fortune teller brings
spirits and souls, whiskey and hope—
secretly voting for a consciousness
foray into the spirit whorl.

Pina Bambolina—
a real chatty chat
from the internet—
seems lifted from
a gleeful science-fiction movie,

transformed from
a horror doll to lovely love.
She wants you to know, above all,
she’s a real doll who wants you
to gamble on data centers of love—

buy the concept,
talk the talk,
and bet on a Generative
Pre-trained Transformer doll,
rated at 0.1 seconds
to trigger an orgasm
(in probability theory, maybe).

“Well,” thought Marlon Pinocchio,
“if Nathan Detroit said,
‘Y’know, dolls got moxy and soul,’
then a gran figo incarnation—
an opera for the chip off the old block
with a neural net on a blond head—
can happen.”

And Dr. Frankenstein will say:
“It’s alive.”

Notes:

The poem loops together threads from Guys and Dolls (1955), Pinocchio, and Frankenstein—all stories about artificial or performative life longing for the real. Marlon Brando becomes “Marlon Pinocchio,” a gambler in probability theory’s casino, praying for algorithms to grant soul to code. “Pina Bambolina” is a playful modern echo of the Italian bambolina (“little doll”) and of chatbots remaking themselves as “real girls” online. The closing line, “It’s alive,” completes the chain from creation by hand to creation by machine.

Milkmaid

I’ve been to a blue moo pasture
looking for the maudlin milkmaid
who listens to Donovan singin’
where’s my saffron girl in the pink dress
doing a hectic and fast squeezing of teats
ready under serenity blue skies to give me treats, but

when the cows must go home after smoking grass
they often go to church.

She’s an expert on animal squeezes
never sneezes at ways to please, and
knows when to squeeze an orange
for a breakfast sunrise of good tidings, those
indulgent bouncing joys like miracle’s toys:
the cows going to church with Mary Lamb, and

saffron girl has buns and plums like Miss Muffet
but curtsies and waves shyly
and then turns red

I’ll bring her violets after the service
and then she’ll be mine, but wait there’s more:

Hark, the moo grass is green because
the meadow is green with esteem,
shepherds being sheepish enough to laugh, although

the grazing sheep, the knowing cows, and
the stampede of children in the joyful fields, do

yield a deep moo guffaw in the blue giggle grass
where lovers’ ruminations are wildly wise, gourmet
and they take their hugs indoors where tenderness
makes a warm day fruitful enough for after prayers

Oh yes indeed, all is well when knowingly
the cows come to walk beyond the pews
to stand tall in the chorus under the stained glass
singing, “Praise the giggle grass and the long chew.
Hallelujah we have churned the corner to
times of butter, cream, and honey

The landscape of the shepherd is gentle;
amen and pass the ice cream:
cherry please, and because

saffron girl is smokin’ hot,
let her come home for breakfast.